Inspired by the calming effects of marine life, Uwe fired up his graphics beast for some deep sea exploration on the digital plane. He used Cinema 4D and its Mograph Tools for the animation and all editing was done in After Effects.The result is an intriguing combination of simple geometric shapes and complex evolutionary forms, set in a clean decor of white on white.
After completing the entire animation, EQUILOUD gave Gerrit a ring and asked him to create some custom sound design for the highly specialised graphics. Leisure had been digging deep in synthesizer theory over the last couple of months, and he decided it would be best to use only digital software synths for the main part of the audio.
The animation was featured on the Native Instruments Facebook page as well as in a two page article by PAGE magazine.